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Sin salida (The Firm)<\/span>
\nJohn Grisham<\/span>
\nNovela<\/span>
\nPlaneta. 1993, 451 p\u00e1gs.<\/span><\/div>\n

\n<\/span><\/div>\n

Llega a M\u00e9xico el libro que inspir\u00f3 una de las pel\u00edculas m\u00e1s taquilleras del cine norteamericano en el 93: Sin salida (The Firm), bajo el mismo t\u00edtulo. Los ojos de Tom Cruise, principal protagonista de la cinta, nos miran desde la portada.
\nPara los devoradores de cine la trama es conocida, para quienes no lo son, un resumen: Mitchell McDeere es un abogado reci\u00e9n salido del cascar\u00f3n; uno de los cinco mejores estudiantes en Harvard (con una mente brillante que ya Grisham tendr\u00e1 ocasi\u00f3n de mostrarnos). Las ofertas de trabajo le llueven pero \u00e9l termina bajo el paraguas de un peque\u00f1o y selectivo buffete en Memphis -Bendini, Lambert & Locke-, dispuesto a superar cualquier oferta propuesta por Wall Street. Los hechos se suceden (muertes sospechosas de algunos abogados, omnipresencia de la compa\u00f1\u00eda en la vida cotidiana de McDeere, un individuo que trata de sacarle informaci\u00f3n y se dice del FBI\u2026) hasta llegar a lo comprobable: Bendini, Lambert & Locke, tras su honorable fachada, oculta un enorme y lucrativo negocio de narcotr\u00e1fico y lavado de dinero. McDeere se encuentra entre la espada de la mafia y la pared del FBI.
\nEn la vida real, Grisham es abogado en Mississippi, donde trabaja como criminal defense attorney; as\u00ed que conoce el terreno por donde pisa y lo dibuja con correcci\u00f3n.
\nSin salida (The Firm) es un libro bien escrito, con un ritmo \u00e1gil que en su \u00faltima parte llega casi al contrapunto. Lo usual en un best-seller los \u00abbuenos\u00bb; los \u00abmalos\u00bb; las v\u00edctimas; el protagonista (quien con su astucia se burla de los \u00abbuenos\u00bb y los \u00abmalos\u00bb); descripciones f\u00edsicas de mujeres desarropaditas; cambios de escenario y cortes, de edici\u00f3n literaria listos para hacer una pel\u00edcula. Y lo inusual: Grisham menciona algunas relaciones sexuales sin describirlas. Tal vez una nueva estrategia para captar m\u00e1s lectores.
\nEl libro se lee f\u00e1cilmente; no existen grandes sobresaltos pero la trama se hilvana para garantizar algunas horas de buena aventura.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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