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Caperucita en Manhatan<\/span>
\nCarmen Mart\u00edn Gaite<\/span>
\nNovela<\/span>
\nSiruela. Madrid. 1992, 205 p\u00e1gs<\/span><\/div>\n

\n<\/span><\/div>\n

Ganadora de numerosos premios literarios, la autora espa\u00f1ola Carmen Mart\u00edn Gaite, toma despu\u00e9s de doce a\u00f1os la pluma para invitar a Caperucita a Nueva York.
\nNovela-cuento para adultos escrita con un lenguaje infantil, nos transporta con descripciones tangibles, a una fantas\u00eda civilizada que propone, metaf\u00f3ricamente, todo un concepto de libertad.
\nLa trama tiene la estructura del cuento cl\u00e1sico, aunque los personajes parecen haber sido transformados por el tiempo: la abuelita de esta Caperucita es una antigua artista de music-hall que canta vestida de terciopelos verdes y vive de forma exc\u00e9ntrica. Mister Woolf, el lobo, es un pastelero millonario de Central Park que se enamora de ella.
\nUn d\u00eda de lluvia y envuelta en su impermeable rojo, Sara Allen \u2013la Caperucita de diez a\u00f1os que vive en Brooklyn- saldr\u00e1 en busca de su libertad, con una tarta de fresa como pretexto.
\nLa admiraci\u00f3n de Sara Allen \u2013Caperucita\u2013por su abuela, descansa en su ideal de independencia. Y al chocar con una existencia convencional, prefiere escaparse a contemplar el mundo. Es entonces cuando Miss Lunatic, el esp\u00edritu de la libertad disfrazado de vejez y miseria, que vagabundea cerca de la famosa estatua, hace aparecer ante Sara los peligros del miedo a la libertad. Ser\u00e1 la ni\u00f1a, m\u00e1s adelante, quien encarne ese esp\u00edritu, y con su expresi\u00f3n favorita, \u00abmiranf\u00fa\u00bb, se sumerja en los pasadizos de la ciudad gigante para ayudar en todas partes y en ninguna, y saborearlo que otros ignoran.
\nSencillez profunda, cr\u00edtica sutil para grandes, sugerentes descripciones de la vida diaria, es la t\u00f3nica que impregna esta novela con sabor a cuento inolvidable.
\nEl esp\u00edritu de la libertad, que flota a lo largo de la novela, y que Caperucita hace suyo al final del cuento, sugiere una independencia absoluta incluso a precio del aburrimiento \u2013como sucede a veces con Miss Lunatic\u2013 todo por el beneficio de ahogar el miedo.
\nEsta visi\u00f3n de un libertad sin marco o sustento, contrasta con el lenguaje de la escritora, en el que cada palabra est\u00e1 respaldada por una escena vivida, una emoci\u00f3n deliciosamente com\u00fan: la frase de siempre dicha como nunca. Tal vez a eso se deba el placer de su lectura. Porque las palabras sencillas, como la historia de Caperucita, son m\u00e1s que un cuento.
\n<\/span>
\n $\"\"$ <\/div>\n<\/div>\n

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